Hirst Conservation Ltd provides a holistic approach to the building envelope and associated surfaces. To achieve this aim, the company structure includes a wide range of disciplines, including stone, plaster, decorative finishes, wall paintings, materials analysis, paint research and easel paintings conservation, achieved through the employment of experienced conservators. Hirst Conservation Ltd also undertakes consultancy work and the overseeing of project briefs.
This base of varied specialisms allows us to act on informed treatment specifications. All conservation work undertaken by Hirst, whatever the specialism, is undertaken alongside preliminary survey, analysis and research, including photographic and diagrammatic recording, archival research and the assessment of previous treatments, where applicable. This working relationship of research and conservation serves to enforce the understanding and appropriate treatment of the building envelope and associated elements.
We specialise in:
We also provide:
A little more about who we are and what we do
Director & Principal Conservator
Following many years of training in medieval wall painting and stone conservation, Elizabeth became a senior conservator within the Eve Baker Trust. She subsequently went on to found Hirst Conservation in 1986 and manages a multi-disciplined organisation encompassing a wide range of skills and technical expertise.
Karen returned to Hirst Conservation in 2019 as Conservation Manager. Karen is a highly experienced historic building conservator and architectural paint research specialist with many years experience in preventive and practical building conservation and applied decoration.
Senior Conservation Analyst
Paul has worked as a conservation analyst for Hirst Conservation for over twenty years, developing a unique understanding of conservation and materials science through his work. Responsible for laboratory analysis and the manufacture of traditional paints, Paul is also a skilled conservator in stone, plaster and decorative surfaces.
Senior Stone & Wall Paintings Conservator
Sabina specialises in the conservation of wall paintings, plaster and stone objects, and has published several papers in the field. She has gained wide-ranging experience through involvement in diverse national and international projects and is largely responsible for project management and on-site client liaison, whilst also undertaking remedial work on site.
Senior Paintings Conservator
Lucy studied the conservation of paintings and polychrome sculpture at Nicolaus Copernicus University in Torun, Poland and has worked for Hirst Conservation since 2007. She is involved in the development of conservation strategies, undertaking and supervising treatment of wall paintings and decorated architectural surfaces.
Senior Plaster & Monuments Conservator
Tim joined Hirst Conservation in 2000, specialising in the conservation of masonry, earth walling and plaster works. Since joining he has become a key member of the Hirst team, with training and experience in the use of laser technology and specialised survey equipment for conservation applications.
Mackenzie first joined the Hirst Canada team working in Ottawa in 2021 before relocating to the UK in 2022. She has an Masters in Conservation of Easel Paintings (Northumbria University), a post Baccalaureate in Art Conservation (SACI, Florence).
Caroline trained in furniture and decorative surfaces conservation and is also a significant driver in our digital recreations.
Kris works across our plaster, stone and decorative surfaces specialisms. He is experienced in using DOFF, TORC/JOS and laser cleaning.
Anna joined the team in 2021 bringing with her a firm belief in the potential of the design and management of the built environment to affect positive change. She actively works to support equality in the construction industry, volunteers with Architects Climate Action Network (ACAN) and is a nationally elected member of the RIBA Council.
Senior Architectural Paint Researcher
Charlotte joined the team in 2016 specialising in architectural paint research after an early career working for the National Trust and English Heritage. Charlotte is an active member of Icon Historic Interiors Group.